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French Pronunciation Course
for English Speakers
by Dr. Bernard Rochet
This CD-ROM collection was made
for me: I am a native-English speaker, I have done some French language
and linguistic courses, and I am off to France this summer and need
to brush up on my French. So, as I browsed through the three CDs of
this pronunciation course, I became familiar once again with the difficulties
an anglophone faces when attempting accent-reduction. And this program
will definitely help me with my attempts.
The lessons are based on modern
pedagogical theory:
- discourse-level phonological features, such as intonation
patterns and rhythm;
- phrase- and word-level contextualized modifications,
such as liaison and silent e; plenty of controlled
practice through imitative practice.
- listening exercises for the development of auditory
perception/discrimination;
- sound-to-spelling and spelling patterns as cues to
stress and rhythm.
Each CD contains 5 lessons, making 15 in all. I recommend buying all
three disks, as they make a fairly complete course. When I say complete,
I mean that a student will first need a basic knowledge of linguistics
to take advantage of the wealth of information available on the CDs.
For example, when one of the hints for a student
recording is, "articulate [French R] as a velar fricative; because
it follows a dental consonant"
etc, an instructor might be
a helpful resource here, and indeed the course offers an "Admin"
program to register students and assign lessons.
The three disks are comprehensive in their
coverage. Disk One includes English versus French rhythm, the high and
mid-front vowels, intonation including emphatic stress, and the consonant
R. The third CD concludes with French Canadian and southern French dialects
compared to Parisian French. In between, there are all
sorts of lessons to help me reduce my accent.
Most introductory and explanatory screens are simple text boxes, with
some very simple animations of the articulators, but the exercises
and quizzes which come soon after offer excellent 16-bit (CD-quality)
sound and a record feature to compare my French to the natives. No wave-forms
or voice-recognition here: Salix Corporation claims they
are not adequate enough to help students (and instructors) analyze
their voices; providing valuable feedback to make these features worthwhile
is a daunting task, given the voice-recognition abilities of todays
PCs
perhaps in the next generation of desktop computing. And after
all, the basis for this type of exercise is ear-training, not a 'visual-representation'
analysis.
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Publisher:
Salix Corporation
5723 North 33rd Place
Scottsdale, Arizona 85253, USA
Phone: (602) 956-7411
FAX (602) 956-7411
Email: a108@amug.org
Web Page: http://www.amug.org/~a108/
System Requirements:
IBM compatible PC, Windows 3.1, 95, 98 or NT (or Macintosh running SoftWindows
5.0), Color monitor, 8MB RAM, Sound card, Microphone, CD-ROM drive,
10MB of free Hard Drive space
Test Machine:
Pentium 133 with 16MB RAM
Version Reviewed:
1.0
Price Info:
3-CD set: $79.95 USD
Availability:
Commercial software available from the publisher.
Quick Summary:
Hits:
- solid theory and sound pedagogy
- clear CD-Quality sound
- easy-to-use record feature
- administration feature for instructors and laboratories
Misses:
- Windows only (works on Windows-emulation software
for Macintosh: Virtual PC 2.0 or later, or SoftWindows 5.0)
- missing that extra communicative-contextualized
interactivity to fill up the disks
Screen Capture:
(Click for larger image)
Package Cover
Last updated October 18, 1998
Copyright © 1998
Brian Rhodes
and Jim Duber
All rights reserved
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